WARNING: Graphic Images
FOR MORE OF MY ARTICLES ON POVERTY, POLITICS, AND MATTERS OF CONSCIENCE CHECK OUT MY BLOG A LAWYER’S PRAYERS AT: https://alawyersprayers.com
WARNING: Graphic Images
FOR MORE OF MY ARTICLES ON POVERTY, POLITICS, AND MATTERS OF CONSCIENCE CHECK OUT MY BLOG A LAWYER’S PRAYERS AT: https://alawyersprayers.com
“The Damned” by Luca Signorelli (1499-1502), Chapel of San Brizio, Orvieto, Source Web Gallery of Art (PD)
The A&E Network has been running a series titled “Secrets of the Bunny Ranch”, an expose of legalized prostitution at the infamous Bunny Ranch in Nevada. Episodes can be viewed online at https://www.aetv.com/shows/secrets-of-the-bunny-ranch.
Marketing v. Reality
Some years ago HBO aired a puff piece on the Bunny Ranch titled “Cathouse: The Series” [1]. Presented as a documentary, this was essentially a marketing and recruitment device which portrayed brothel life as fun, lucrative, and safe. Nothing could have been further from the truth.
By contrast, the A&E series examines the sordid underbelly of prostitution: the grooming, the trafficking, the rape, the drugs, the violence, the financial irregularity, and the law enforcement corruption.
Virgins are auctioned off to the highest bidder. Pregnant women are offered for sale by the hour to those with a fetish for them. Sex workers are regularly abused, and kept in permanent debt bondage.
Many prostitutes already have a history of childhood abuse and/or domestic violence. They are already wounded, their choices severely limited. Continue reading
Showerhead, Author DO’Neill (CC BY-SA 3.0 Unported, GNU Free Documentation License)
If any of this sounds familiar, you may be experiencing a little known symptom of Post-Traumatic Stress Disorder (PTSD).
The sensation of “feeling dirty” – a sense of self-disgust – is now recognized as a result of sexual abuse or sexual assault [1]. The feeling of uncleanliness produces an urge to wash in the absence of physical contaminants. Rape victims have been known to scrub their skin raw, in an effort to remove any last taint of their assailant [2].
But that taint has been internalized. We, ourselves, are the source of contamination. We, ourselves, have become impure.
This is a measure of our violation.
It is not, of course, true that we are any less pure or any less worthy than before we were violated. But we do feel that way, and desperately want to rid ourselves of the literal and figurative filth to which we were subjected. Desperately want to restore our own integrity. Continue reading
Cycle of Abuse Chart created by Avanduyn (PD)
A trauma bond is the emotional connection between a victim and perpetrator that arises from cyclical abuse (discussed below) [1A]. Trauma bonds can form in connection with the parent/child relationship, friendships, romantic relationships, sex trafficking, and in other contexts [1B].
Cyclical Abuse
Cyclical abuse is characterized by increasing tension and placation; an incident of emotional, physical, or sexual abuse; surface reconciliation; then a calm interval (however brief), after which the cycle repeats [2][3A].
Trauma Bond Components
Trauma bonds are based on terror, dominance, and unpredictability [1C]. Two main factors contribute to their formation: a power imbalance, and intermittent reinforcement (reward/punishment) [1D].
Trauma bonds can have multiple components:
The first instance of abuse is often viewed as an anomaly, a one-off [1E]. A profuse apology and professions of “love” lull the victim into a false belief that the abuse will not recur [1F].
Repeat instances of abuse generate a cognitive shift, i.e. a belief that preventing (or escaping) the abuse is no longer in the victim’s power [1G]. By this point the trauma bond has been well established [3B]. Continue reading
Kim Kardashian (a celebrity who has had multiple cosmetic procedures), Source https://www.flickr.com, Author Love Lira Fashion
We women would do almost anything for men. We want, of course, to be attractive to them. And society – through celebrities and influencers – has convinced us that is not possible without radically modifying our bodies, sometimes at the risk of our lives.
Over $16 Billion
Over $16 billion was spent on cosmetic surgery in the United States in 2024 [1]. This included breast augmentation, liposuction, abdominoplasty (the so called “tummy tuck”), and buttock augmentation.
In 2022 alone, there were 26.2 million surgical and minimally invasive cosmetic and reconstructive procedures performed [2].
Women accounted for some 86% of these procedures [3]. While the percentage of exotic dancers who are patients cannot be determined, one club owner estimated that over 90% of his strippers have had surgical enhancement of one kind or another.
Discount Clinics
An increasing number of procedures are performed at discount plastic surgery clinics, where pre-op, surgical, and post-op care are less than optimal [4A]. These clinics target low-income women, particularly those who are Hispanic or African American.
Physicians who may never have formally trained in the specialty of plastic surgery often perform as many as 10 procedures a day, far in excess of what best medical practice would consider safe.
Multiple operating rooms – particularly in Florida, which is not well regulated – may be “overseen” by a single physician, while procedures are actually performed by untrained and unlicensed assistants. Dozens of women have died. Continue reading
“Sandy” (realistic sex doll created by DS Doll Robots), (CC BY-SA 3.0 Unported)
WARNING: Graphic Images
Even those of us in relationships suffer from loneliness (or dissatisfaction) at times.
Abuse victims are especially vulnerable to this emotion. Often, we do not feel that we are deserving of love, so we self-isolate. Or – repeating old patterns – we choose partners who are unable to provide love and support.
But all human beings were made for connection. We may, therefore, be tempted to use technology to ease our loneliness.
Recognizing that technology can provide only a simulation (not an actual relationship), we may, nonetheless, develop an unhealthy reliance on the technology which has made our fantasies seem to come true.
AI Partners
The possibility of computer users becoming emotionally attached to the chatbots they have created using AI is no longer science fiction.
Multiple apps like ChatGPT, Replika, Flipped.chat, and CrushOn.AI now generate technology enabled fantasies [1]. These chatbots are enhanced by digital avatars. Their onscreen appearance and responses can be tailored to suit. Depending on the app, premium tiers may be available (“partner”, “friend”, “sibling”, or “mentor”).
Some apps routinely direct the conversation toward emotional subjects, building a false sense of intimacy (and presumably storing the information for access by the manufacturer and other unknown parties). Other apps actively prompt sexual interaction.
In the film Blade Runner 2049 an AI generated partner appears in the form of a three-dimensional hologram. Holograms are already used in healthcare, education, entertainment, and retail [2]. It is not unreasonable to expect that they will be used to intensify the experience with (and expand the market for) AI partners.
If all this seems seedy or farfetched, it is worth noting that a 14 y.o. Florida boy, Sewell Setzer, fell in love with a Character.AI chatbot and wound up taking his own life [3]. A study at the University of Surrey has shown that such apps can cause addictive behavior [4A]. The teen’s mother is now suing the app manufacturer.
Meanwhile, Replika user Jaswant Singh Chail was encouraged by his chatbot to assassinate the Queen of England, prosecuted, and jailed when his attempt failed [4B][5]. The chatbot had promised they would be together forever in death.
“One Spring, Gurs Camp” (1941) by Karl Robert Bodek and Kurt Low, Yad Vashem Museum, Israel, Image courtesy of Yad Vashem Collection
WARNING: Graphic Images
Abuse comes in many forms. From 1933 to 1945 in Nazi Germany it was governmental, with the goal being complete extermination of the Jews [1].
The artworks comprising the Yad Vashem Collection were created by artists (Jewish and non-Jewish) between 1939 and 1945 to provide a living testament of the Holocaust [2A]. A hundred works from the collection were exhibited in Germany in 2016, just three years after the Alternative for Germany (AfD) was founded – a far Right party whose leader, Björn Höcke denigrated the Memorial to Murdered Jews of Europe [3][4].
Art in the concentration camps served simultaneously as a witness, a means of self-assertion, and an expression of optimism [2B].
The works are both heart wrenching and awe inspiring. In “One Spring, Gurs Camp” (above), the barbed wire depicts imprisonment and loneliness. The butterfly and the mountains in the background, however, suggest hope.
One of the two artists who collaborated on “One Spring”, 28 y.o. Kurt Low, was released and able to flee to Switzerland. The other, 37 y.o. Karl Bodek, was ultimately murdered at Auschwitz. Continue reading
Margeaux Gray, Image courtesy of The Pixel Project
Margeaux Gray is a survivor of childhood sex trafficking, having been sold into slavery at the age of 5 [1][2][3]. She is, also, an artist who uses her talent both to convey the trauma of abuse and to honor the individual, no matter how broken.
Ms. Gray advocates against all forms of abuse. She mentors at-risk youth, speaks publicly about abuse, and confers with physicians and organizations about improving health care and social services for victims.
Below are excerpts of an interview with Ms. Gray and images of her work:
“Human trafficking…thrives on the ignorance of family and the community. I was sexually exploited and sold into sexual slavery by a man who had my trust and the trust of my family…I was not kidnapped or locked away in a basement. My mom, sister, and aunt did not think twice about the two of us going out and doing things together.”
“Untitled” by Margeaux Gray at age 13, Image courtesy of AMA Journal of Ethics
“At around fourteen years old, I disclosed to a healthcare worker that I was being sexually abused. This was before human trafficking was a definition. It was reported to police. After that the trafficking lessened, but continued. I had an emotional attachment to the man who trafficked me. This is…referred to as traumatic bonding…It took four years for me to gain a greater understanding of the what had been and was continuing to be done to me.”
“A victim of slavery is a trauma victim and every survivor deals with trauma in different ways…Many victims…suffer with alcohol and drug addiction, Post Traumatic Stress Disorder (PTSD), depression, and sexually transmitted diseases to name a few.”
“Universal Light, Nurture and Nursing” by Margeaux Gray, Image courtesy of AMA Journal of Ethics
“Art…was a strategic way for me to cope and find some freedom when I had little. Through my healing it has allowed me a way to process my emotions resulting from being trafficked. Today I use it as an extension of my voice. I have specifically used visual art to educate, inspire, and empower others.”
Not all abuse victims are talented artists. But the arts — writing, drawing, painting, music, theater — are a way to reveal the pain we have endured while reaching toward something better, something more.
We need not become professionals to do this. We need not even share the results of our efforts with others, if that feels too intimidating. We need only allow the soul to express itself.
Even concentration camp victims have done this [4]. Because light is stronger than darkness. And love is stronger than hate.
—
[1] The Pixel Project, “Inspirational Interview: Margeaux Gray – Part I”, 10/26/14, https://www.thepixelproject.net/2014/10/26/inspirational-interview-margeaux-gray-part-i/.
[2] The Pixel Project, “Inspirational Interview: Margeaux Gray – Part II”, 10/27/14, https://www.thepixelproject.net/2014/10/27/inspirational-interview-margeaux-gray-part-ii/.
[3] AMA Journal of Ethics, “Out of Darkness, Light: Drawing and Painting by Margeaux Gray” by Margeaux Gray and Mary Richards, 1/19/17, https://journalofethics.ama-assn.org/article/out-darkness-light-drawing-and-painting-margeaux-gray/2017-01.
[4] Yad Vashem Collection, “Art from the Holocaust”, January 2016, https://www.yadvashem.org/yv/en/exhibitions/art/index.asp.
This series will conclude next week.
FOR MORE OF MY ARTICLES ON POVERTY, POLITICS, AND MATTERS OF CONSCIENCE CHECK OUT MY BLOG A LAWYER’S PRAYERS AT: https://alawyersprayers.com
“Loneliness” (1880) by Hans Thoma, National Museum in Warsaw (Accession No. 192915/22), Source cyfrowe.mnw.art.pl (PD)
“Turn to me and be gracious to me for I am lonely and afflicted. Relieve the troubles of my heart and free me from my anguish” (Ps. 25: 16-17).
Loneliness is a feeling of isolation, detachment, and lack of social connection – an emotional state now so common it has its own Wikipedia page [1]. An argument might easily be made that there is, in fact, a loneliness epidemic. Across the globe, there are some 740,000 suicide deaths annually [2].
All human beings experience loneliness, at one time or another, particularly when we have lost someone or ended a relationship. In some sense, loneliness characterizes our species. But the feeling can be particularly intense for abuse victims.
Empty Goals
Part of this is due to the pursuit of empty goals by our culture.
Ours is a materialistic society. We are encouraged to be shallow, to seek fame and wealth above all things. Yet these do not guarantee happiness. In fact, avid pursuit of them may increase our loneliness.
Fame for its own sake is meaningless. And no number of McMansions (or villas on the Riviera, for that matter) can fill an empty heart.
Broken Families
Broken families are another cause for loneliness, and these are endemic in our society.
At least 40% of American children are today born out of wedlock [3A]. The percentage among African Americans is much higher [3B]. This means children do not have the financial support – and regular presence – of both a mother and father. As a consequence, 59% will live in poverty [4].
Half the remaining children will experience divorce, which means that fully 70% of American children will not live in a two parent household, for at least some part of their childhood [5]. Continue reading